{"version":"1.0","provider_name":"Libri Aparte","provider_url":"https:\/\/libriaparte.it\/en","title":"Tzimtzum - Libri Aparte","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bdKbTeAYKE\"><a href=\"https:\/\/libriaparte.it\/en\/shop\/tzimtzum\/\">Tzimtzum<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/libriaparte.it\/en\/shop\/tzimtzum\/embed\/#?secret=bdKbTeAYKE\" width=\"600\" height=\"338\" title=\"&#8220;Tzimtzum&#8221; &#8212; Libri Aparte\" data-secret=\"bdKbTeAYKE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/libriaparte.it\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/libriaparte.it\/wp-content\/uploads\/2019\/01\/tzimtzum-02.jpg","thumbnail_width":1480,"thumbnail_height":1200,"description":"[:en]by Paolo Facchinetti - 24 \u20ac - In the Hebrew Kabbalah, tzimtzum is what makes God's creation of the world possible. Its meaning corresponds to the act of retreating, like the wave that retreats to cover the sand in the following motion, and indicates the act by which God retreats into himself to \u201cmake room\u201d for what he wants to create. The entire work of Paolo Facchinetti plays on this, on the composed and silent dialectic, pursued as research in continuous tension between the material and the idea. Looking at his works there emerges a rarefaction and a contraction such as not to make the weight and the fatigue of a material lump surface to thought. Landscapes of the soul, obtained by removing, recognizable because crossed by light. It is precisely in stripping the work of its colours that light becomes truly visible thanks to the tzimtzum: it arrives by removing matter and spreads by making the void. Thus, this work speaks of something through its absence: of light through shadows, of colour through monochrome, of what is earthly through an immaterial language, of infinite space through the two-dimensionality of the surface; it becomes a door, an ambiguous element, which can open or close, become a passage or a barrier, without ever giving up being an invitation.[:it]di Paolo Facchinetti - 24 \u20ac - Nella cabala ebraica tzimtzum \u00e8 ci\u00f2 che rende possibile la creazione del mondo da parte di Dio. Il suo significato corrisponde all\u2019atto del ritrarsi, come all\u2019onda che indietreggia per riuscire a coprire la sabbia nel moto successivo, e indica l\u2019atto con il quale Dio si ritrae in s\u00e9 stesso per \u201cfare spazio\u201d a ci\u00f2 che vuole creare. L\u2019intero lavoro di Paolo Facchinetti si gioca su questo, sulla dialettica composta, silenziosa, perseguita come ricerca in continua tensione tra la materia e l\u2019idea. Guardando i suoi lavori emergono una rarefazione e una contrazione tali da non fare affiorare al pensiero il peso e la fatica di un grumo materico. Paesaggi dell\u2019anima, ottenuti per via di levare, riconoscibili perch\u00e9 attraversati dalla luce. Proprio nello sfrondamento dell\u2019opera dai colori, avviene che la luce si fa davvero visibile grazie allo tzimtzum: arriva levando la materia e dilaga facendo vuoto. Cos\u00ec l\u2019opera parla di qualcosa attraverso la sua assenza: della luce attraverso le ombre, del colore attraverso il monocromo, di quanto \u00e8 terreno attraverso un linguaggio immateriale, dello spazio infinito attraverso la bidimensionalit\u00e0 della superficie, diventa una porta, un elemento ambiguo, che pu\u00f2 aprirsi o chiudersi, farsi varco o barriera, senza mai rinunciare ad essere un invito.[:]"}